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Podcast: What’s the future for new theatre spaces like the Barbican’s Milton Court? picture - THE SEAGULL by Chekhov; Guildhall School of Music and Drama; Credit: CLIVE BARDA/ArenaPAL Full view

THE SEAGULL by Chekhov; Guildhall School of Music and Drama; Milton Court Studio Theatre; Silk Street; London, UK; 14 October 2013; CERI-LYN CISSONE as Polina; ROSEMARY BOYLE as Masha (shared); SIMON HAINES as Shamrayev; CHRISTIAN BURGESS- Director; AGNES TREPLIN- Designer; JOHANNA TOWN- Lighting Designer; Credit: CLIVE BARDA/ArenaPAL;

Podcast: What’s the future for new theatre spaces like the Barbican’s Milton Court?

Following the opening of the Barbican’s newest state-of-the-art performance centre, Milton Court, we asked what theatre is doing to stay relevant and attract new audiences.

THE SEAGULL by Chekhov; Guildhall School of Music and Drama; Credit: CLIVE BARDA/ArenaPAL
THE SEAGULL by Chekhov; Guildhall School of Music and Drama; Credit: CLIVE BARDA/ArenaPAL

Also, in this podcast listen to whether Guardian theatre critic Lyn Gardner thinks the future’s bright for theatre in the digital age.

Click below to listen to the podcast!

Written by Matthew Tijou

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